"Lately I have taken shards of words, planted
them under bared roots: souvenirs of the light within a time
of darkness."
--Walking Through: Meditations on the Ordinary
Walking Through
is a collaboration between an artist (Judy Anderson) and
a poet (Ginny Hoyle)
who share an interest
in the symbiotic power of images and words.
The installation
joins images and text created over a five-year period, creating
a meditative space filled with inter-woven prints, mixed-media
paintings, artist books, haiku and longer poems. The exhibit
is anchored by a handcrafted book of images and poems, its
pages spilling out to form a single 36-foot wing that floats
in the center of the gallery, surrounded by words, images
and objects that celebrate the power of language, the solace
of the natural world, and the opportunity to live consciously.
This is a second collaboration between
Ms. Anderson and Ms. Hoyle, following Tokyo Press Check:
Making Face, (1986) a small-edition artist book that playfully
explores the differences between eastern and western business
cultures.
Judy Anderson is an artist and teacher
who moved to Denver from Seattle in 2002. She has taught
at universities in Washington, Colorado and California and
is now executive director of PlatteForum, a Denver nonprofit
artist residency center that connects artists and under-served
youth. Her artist books have been exhibited in galleries
and museums in the US, Japan, England, the United Kingdom,
Europe and the Soviet Union, and are part of major national
collections in the US and Germany. Her work in this exhibition
draws upon images created during artist residencies at Centrum
Arts Colony, Port Townsend, Washington, and Rome, Italy.
Ginny Hoyle is a poet with roots in
journalism and copywriting, whose commercial work has earned
more than 85 awards over the years. Her poems have appeared
in Wazee Journal, a Denver-based online literary journal,
and she was the featured poet in the journal’s Spring 2003
edition. Her poem “In Case of War” is part of the Napkin
Project, a limited edition work by Seattle artist Ellen Sollod
(in the tradition of the Mail Art movement of the 60s and
70s), presented to 60 national leaders in 2003 and 2004.
Through prior collaboration with Judy Anderson, Ms. Hoyle’s
poetry has been exhibited in galleries in San Francisco,
New York, and Germany, is in private and public collections,
and published in émigré,
a fine arts periodical.